Use manual kerning where possible, since it provides the highest level of control. Optical kerning works well when combining letters of more than one font or when a font has little to no kerning built in. It uses the shapes of the letters to determine the space to put between characters. Optical kerning is also an automatic kerning option built into type but slightly different than the Auto option.
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Illustrator interprets this kerning code to determine how much space to put between certain letter combinations, such as “WA,” “LA,” “To” and “Ty.” All have their place in design, but knowing which one to use when can be confusing without some basic knowledge.Īuto, or metrics, kerning is built into type using kern pairs for instance, all PostScript fonts have kern pairs built into them. In more recent versions of Illustrator’s CS series, three automatic kerning options are available: “Auto” (also known as metric), “Optical” and “Metrics – Roman Only.” In addition, manual kerning is available. It has to do with the adjustment of space between letters in order to improve the visual treatment of typography, and Illustrator provides the right kerning tools for designers. Kerning is an important aspect of design. Here, we will focus on some of the most important aspects of typography that every Illustrator user should know: No matter what your purpose for working with type in Illustrator is, as a designer, you will not only improve your work, but also save valuable time by knowing the different typographical tools available. So for those of you who use another Adobe Suite program, you will easily catch on to Illustrator’s type idiosyncrasies. If you have never taken the time to explore the type side of Illustrator, you may be surprised at the powerful tools that Illustrator provides for working with type. Similar text features found in Photoshop and InDesign are also available in Illustrator - only Illustrator comes with its own unique set of typographical features as well.
Since we can easily transfer graphics from Illustrator to Photoshop and InDesign, designers often use Illustrator to create vector type that they can then incorporate into projects in another program. For instance, you can create a nice type design within Illustrator, then add some extra effects in Photoshop. Although Illustrator is not really used for multiple-paged projects, many would agree that it is one of the most powerful applications for creating vector graphics, such as logos, and it is also often used for one-page documents, such as business cards, posters, or postcards. Choosing the right font, the perfect spacing and even the correct shape of text can be an important factor as to whether a project fails or succeeds.
Typography is not only an all-important aspect of design, it is also an art form in and of itself.
Although Illustrator is not really used for multiple-paged projects, many would agree that it is one of the most powerful applications for creating vector graphics, such as logos, and it is also often used for one-page documents, such as business cards, posters, or postcards.
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